We are not only have age of conan gold for sale,but also publish news at first time.One thing the Age of Conan franchise has always had going for it from the movies to the games is a fantastic musical soundtrack. Age of Conan:Hyborian Adventures (AoC) is no different and when the game first launched we even got the chance to speak with the composer of AoC's excellent musical soundtrack, Knut Avenstroup Haugen.Recently MMORPG received a couple of goodies from Funcom with a new developer diary video and a new interview in which Haugen talks about the process by which he created the epic musical score for the Rise of the Godslayer expansion.We publish some information about this interview.You can visit official site read more details.But if you want to buy aoc gold,our site is your best choice.

MMORPG:When planning the music for Khitai, where did you draw your influences from?

Knut Haugen:Since the theme for the game is Khitai it was only natural that the music be highly influenced by Chinese music.There are also Japanese elements in there. Some of the cues are Chinese through and through, but most of them are a hybrid of eastern Asian traditional music and European orchestral music. For a couple of months at least before I started writing the music, I listen only to Chinese and Japanese music to really get a feeling for it. I had to know it so well that I no longer had to think: "Let's see...How do I write Chinese music? Oh yes, pentatonic scale!"I read lots of books on instrumentation and orchestration, watched videos of performances and talked to musicians to get to know the style and instruments as well as possible. If you know the instruments and are able to write idiomatically for them,the music will sound Chinese, because that is the music these instruments are constructed for. China has a very rich musical heritage and there is so much variation and so many possibilities that you really should to know it very well to be able to write in the style freely. I come from a classical background and have a deep knowledge of western orchestral literature from my studies as well.This"database"of music is my"vocabulary"so to speak,and is always with me and influences the way I write.